living with art at st. croix apartments.

image

image

image

image

image

image

image

image

 

image

 

st. croix apartment complex houses about 10 of uf’s mfas/recently graduated.  Last night they opened their doors and invited the public into their homes to look at the art that they “live with” on a daily basis.  some apartments transformed into pristine gallery spaces and some transformed altogether.

i started at the door which had the biggest crowd when i arrived.  gleefully that crowd seemed to shift organically around the the complex through out the night.  galen olmsted’s monolithic wooden structure covered in porcelain poops stood surrounded by kalina winska’s large ethereal paintings.

next i moved upstairs.   drew avakian’s cut and reassembled, structured pots contrasted nicely with donna flanery’s soft, painterly cups and teapots.   rob kolhouse’s futuristic busts held court alongside them.

back downstairs i found that varian wolf and charlie cummings, both big advocates for the florida springs, had filled their apartment with water and fish in order to allow us to experience life under the water for ourselves.  luckily we were able to enjoy it without getting wet from the comfort of chairs outside, where we could observe the underwater goings on through the front windows.  their projections of spring life at times presented compelling narratives that we wouldn’t otherwise be privy to.

down a ways, in jen clay’s apartment, large, long legged birds had taken over the everyday living room scene.  they seemed to be jumping on everything, their blue, white and black feathers leaving a puffy trail.  In the kitchen, one of clay’s “friendly unknowns” seemed to be having a fit over spilled milk and dry cereal.  though clay’s apartment itself was the least changed, her creatures inhabiting the space transformed it into a wild unknown.

kate helms’ door was closed but in her absence she had placed a sculptural replica of herself, complete with overalls and a conductor’s cap.  one of her works memorializing the cabbage palm was also displayed.

lastly, i visited the apartment of one of the organizers.  several 2d works were hung, and when you ventured back into one of the bedrooms turned gallery you saw Jessika Normington’s light and string installation.  The bright cacaphony of color and light against a fluffy white cotton clouds turned x-mess lights into firefly crackles of electricity.

after popping our heads up into the light scape some of sat on the floor and chatted.  eventually the night died down.  doors closed.  a pie-zilla and coke showed up upstairs. good times were had by all.

unfortunately i didn’t get pics of everything but here are some pics from galen’s facebook.

nice night team st. croix!

 

 

 

 

(un)contained by galen olmsted.

image

friday i checked out the first warphaus show of the semester.  galen olmsted’s installation of ceramic components seems to be taking over the gallery, generating out of the floor and toppling anything in the way.  i love the wall of storage containers hemming in the uncontrolled ceramic material.  they give you a clue as to where everything may have come from and, should someone try, where the bedlam may be contained.

studio shots

image

school is in full effect and it was a great first week back.  i’m really amped about all my classes.  they are all studio courses (ceramics seminar, sculpture seminar and performance and installation a.k.a. intervention).

image

i had a great meeting with my professor to talk about my research plan for the semester.  as mentioned earlier i’m planning to tackle philosophy of aesthetics and beauty.  i also plan to explore the idea of wonder and how it relates to art and science.  i’m getting really excited to read about what all of these great thinkers believe and eventually be able to articulate my own position.

image

for my intervention course i’m going to be working collaboratively on several projects, one of which we hope to be able to share with people at nceca…..will keep you posted.

as for sculpture seminar, which is focusing on relational aesthetics, i’m not sure quite what i’ll be tackling.  i’m interested in challenging myself to work outside of the ceramic medium and….. i signed up for a february 1st crit so…….i’m going to get cracking!

good advice.

so naturally, i’m trying to figure out my new year’s resolutions.  typically there are several.  some are quite specific, others more reflective and life changing.  i’ll be sharing that list on january first when I embark on my resolution to blog something (from photo to review to story) each day this year.  in the mean time i’ll share a sweet little list i came across in my nieces room while visiting for the holidays.  i think it can be applied specifically or and more generally to all things in life, especially art making.

Ava’s Fashion Tips

1. never waste

2. be creative

3. don’t cry over a mess up

4. don’t rush

5. be calm and collected

6. be nice if someone compliments your work

she said it was for a sewing group at school that her and her friends organized (pretty impressive for an 8 year old).

the hard part.

so it’s almost the end of the semester.  this program has been super challenging.  when i look back on the last few months i feel like i haven’t gotten much work made, certainly no where near the amounts of productivity i was at during my residency.  but after my last crit i felt like what i wasn’t making in quantity i was making in quality.  the work is no where near resolved but i feel so great about it.  i feel like it’s moving forward and coming closer to the images in my head, i’m so glad!

upcoming exbibition

this weekend i’ll partake in a night of installation art at 10 x 10.  the audience will have a chance to wander around the maze-like lake worth storage unit, finding art.   and for the first time ever, they’ll have a chance to buy work from the artists in the “store” unit.  i’m really looking forward to what is always a super fun show.  kara walker tome is a west palm beach legend and always draws a huge crowd.  here’s a sneak preview of what you’ll see in my storage unit.

repro. soda fired porcelain, luster, flocking. 1.5 ft. x 3 ft. wall area installed. 2010.

this represents fresh, new work from me, and get ready because my installation this weekend will be even bigger and better.

i just can’t wait to see what all the other artists will do!

hello gainesville!

well, i’m settling down in yet another temporary home.  i guess i’m starting to get good at this.  anyway, i am now in gainesville, fl doing a year of post-baccalaureate studies at the university of florida.  gainesville and uf are both quite nice places.  really a breath of fresh, oxygen rich air after philadelphia.  philly is a amazing city but i am amazed at the unconscious sigh of relief i breathe when i look around and see so much green. proximity is much improved.  i’m back to an 8 block (ish) bike ride to the studio which is sweet.  this is a much bigger program then i’ve ever been a part of so space is limited, there is a snap of my work space above.  this decrease in personal space is more than made up for in the huge and wonderful community, faculty and facility.

my favorite piece of equipment, at the moment, is the test soda kiln.  it’s a small soda kiln that shares a chimney with a regular sized soda kiln(very similar to the soda kiln at the clay co.).  it’s just one shelf (12×24) deep and you can stack 3-5 up depending on what your making.  it’s firing away right now.  very excited to see what comes out.

from the past.

bfa show

mollusk/dilators and mouth series

i recently aquired these images from my bfa exhibition.  i have minimal documentation, at best, from this show, mostly in the form of black and white images taken and hand developed by my brother.  so i was happy when g.m. found these on his comp and copied them to my thumb drive.  a mix of low fire glazed work and hand built gas fired raw porcelain.  some things change and some things stay the same.

mouth series

dead birds

coconut crop circle

mouth

mouth

mollusk

this work was completed in 2003.  most of it was made in the semester leading up to my exhibition.  up until that point i was making a lot of figurative work with little cubbies and found objects (i’ll have to post some of that work one day) so it represented a new vein of work which was far less representational.

hmmm, funny.