great day.

it’s really weird not living 8 blocks from the studio.  i start my job (reproductive health clinic) tomorrow and my schedule is going to be something like thurs-sat.  so once i finished up some wall pieces and the sculpture i posted a pic of yesterday, i realized there wasn’t much point in starting anything else.  once i get accustomed to these train schedules (and it’s not so death-by-hypothermia cold) i might be able to swing nightly visits to the studio but for the time being i think my best bet might be to work on pieces start-to-finish sunday through wednesday.

today i went with new friend m.d. to visit a very well known local sculptor.  i’ll be working with her a few days in the next months prepping/installing work before and after NCECA.  her studio was beautiful.  seeing her work in person (in the gallery) and in different stages of completion (in the studio) was breathtaking.  her husband is also a well established sculptor and it was really inspiring to meet them both.  they were super friendly and chatty and asked lots of questions, which of course i kind of geeked out while answering.  (i.e. way too long description of the japanese alphabets…….) when i really would have like to hear more about them and their journey to where they are now.  hmmmm, well moving forward, i hope to get a little more insight.

the move is on…

 

the above picture is of some tiny sculptures i call the saskunei seeds.  saskunei means “no worries” in the fukushima dialect of japanese.  in late 2007 i attended a sweet kiln workshop in mashiko, japan.  it was my first time to fire woodkilns and we fired 4 kilns in 4 days.  one of those kilns was the saskunei smokeless kiln built by kusakabe masakazu.  months later i would get to visit him at his studio in fukushima, two times and spend a couple of weeks there total.  while i was visiting his studio, i made the sculptures above.    pretty soon after that i returned to the united states for good.  on the way back i had a layover in atlanta, which i extended so i could visit my good friend and potter kelly sullivan.  she works over at an awesome studio/gallery mudfire and during the visit, i got to do some work there.  i made some monster sculptures and more of these little seeds, which she fired and glazed after i headed back to florida.  over one year later, on a trip up to bowling green, ohio, a friend and i stop in on her and after all this time i get to see the finished peices.  when i returned to my studio in st. pete, i decided to make a some more of these little guys, as favors for the folks who purchased work from my exhibition.  i’ve given a lot of them out as little gifts, but kept at least a few from each batch, and i’ll keep making them. 

which brings me to the next stop on this train line, philadelphia, pa.  i’ve “graduated” from my residency in st. pete and in january i’ll be moving up to philly.  i started this blog to write about the good times, struggles and process of the clay life and hopefully the next year will bring more to write about.

hot out of the kiln.

last post before atomic.  i’ll definitely post remotely from the bazaar with pics of everything going on. come on down and get a group of these little guys for your home.  i’ll also have some of the large wall peices and an assortment of rattles and tiny sculptures.

small, large, wood, soda…

as i’ve been working on these wall pieces the studio has been full of frenetic energy.  lots of people firing different kilns and in different ways.  also, i’ve been working with different types of clay.  most/all of the compost show was highwater p10 porcelain.  i love p10 because i am able to build with it so effortlessly.  especially when coiling.  but with the wall pieces above i have used highwater p10 and helios, matt long’s porcelain and a flashing porcelain one of the former residents mixed up before he left.  i’ve got maybe 50 pounds of that left, and unfortunately he didn’t use a recipe but all this variety in workability and fire color has me amped up to research more porcelain recipes and develop one i like.

i have been seeing ceramic surface everywhere i look.  carbon trapping brains in the mackerel clouds when they get all skippy and black and white across the sky or fire color in j.q.’s roommate’s dog’s fur or the other night when i was watching grey’s anatomy and saw my the wood fired surface in patrick dempsey’s facial hair.

weird.

eclectic and then some

saturday while the clay co a.i.r.s were working it at craft art, b.d. and i headed over to gulfport for “eclectic and then some”.  a much smaller sale with only 20 artists in the fellowship hall of a church.  the sale was small but with a good following.  i did pretty well with a little help from my friends.  i was trying to stay focused and not get temped to buy or trade too much with other artists.  i’ve got to say that left to my own devices i would trade away everything i make.  there were so many talented artists there.  one of the organizers makes one of a kind dolls and there was a felter that had some amazing scarves and wrist bands.  in the end i did trade with an amazing metals artist.  sweet.

though i’ve helped out with sales in the past, group efforts with all the other artists in the clay co, this was my first sale with a bulk of my own work.  exciting.

i took a couple of pics before forgetting about my camera all together.

my display, with bonnie in the backround

bonnie bravo's work

gearing up…

haven’t posted in awhile because i’ve been meaning to take some pictures but keep leaving my camera at work!  november is going to be a crazy month, lots of great stuff going on.  first of all, us a.i.r.s will load and fire the wood train kiln monday.  it will be my first time firing this kiln.  i missed out on a fun filled, peanut butter cup s’mores laden firing last month when i was out of town so i’m really looking forward to this.

wood train

last month's wood train. with autio platter. yay! pic by red.

next up i’ll be rocking a soda kiln.  i think j’s going to join me in firing, very exciting.  i’ve been “cranking’ out work, but for me that never means too much, too slow and trudgy.  especially since my show opened, it’s been hard to get back to the grindstone.  this week so far i’ve almost finished 10 small wall peices.  i’m working on tiny versions of my flora peices, in hopes of trying them in a few different kilns and also, getting them out to people for a more affordable price.

three sales coming up, eclectic and then some in gulfport, fl (will post info next wed.), atomic holiday bazaar (check out vendors now and start planning) and SPCC’s annual holiday sale.

spcc will also host 3 artists this month.  matt long, john ballisteri and don reitz will spend a week and a little with us making work in preparation for the anagama firing in january.  i’ll take the whole time off work to be around and help.  john and don were here firing the anagama on my way in to the residency so it’s very fitting to have them here on my way out as well.

i’ve got a few shows lining up but more on those later.

more in november and then….december.  proper pics and posts coming soon.

 

getting amped.

tomorrow is j’s closing reception.  the show has been open all week.  if you haven’t seen it yet i would definitely recommend coming out tomorrow.

monday the show will come down and i’ll get down to the business of installing.  can’t say much at this point except that i am very appreciative of everyone who is helping everything along.  i am highly stressed!  but so much awesomeness is happening simultaneously.  i got a very exciting invitation to show in march as part of a four person show.

my brain is getting ready to explode, but in a good way, often.  just need to get through this week.

ok, here is a little preview from the kiln i just opened…

wall peice peeking out.

wall peice peeking out.

wall piece...

wall piece...

this one will hang...

this one will hang...

studio day

ok, i’ve been working full time for about a month now.  in theory it’s not many more hours but it’s really kicking my ass.  i feel the days passing, get up, go to work, take care of mundane tasks, get into bed, restart.  it’s not a nice feeling.  there is so little time to just “be around” the studio.  the salt and soda kiln have been fired in the last week and i wasn’t present for either.  it’s not the one job, of course, it’s just that between working in sarasota, with the commuting, and part time at creative clay, and one day the the clay co my days are packed and i’m starting to feel a little claustrophobic.  i love all the things i do but everyone needs a little spare time right?  ok, my pity party is over.  today i did have the day off and i got to work in the studio for the majority of it.  i finished up a third in the chicken butt series and started a fourth.  j- and i are going to fire the soda kiln this weekend and i’m hopeing to get all four of them in.  i’m always pushing it to the last minute with firings…

number 3

number 3

family

family